Posts Tagged ‘Fat Ray’

Fat Ray & Black Milk - “Bad Man” featuring Guilty Simpson and Scorpion

Friday, April 18th, 2008

Fat Ray and Black Milk

The future of hip-hop is now and lives in Detroit. Put aside the claims that hip-hop is dead and focus your attention on the underground rap scene that is blowing up in Motor City. Black Milk, Detroit native and regarded by many as the heir to the J Dilla throne, has teamed up with Fat Ray on The Set Up LP. The latest track from the duo is “Bad Man” featuring Guilty Simpson and Scorpion. Taking a reggae-inspired hook and a potent snare-heavy Black Milk beat, the track rips through the speakers with unwavering energy. Lyrically, the song centers on the state of everyday life in the hood of Detroit, as Guilty Simpson rhymes, “You’d better have a vest in place, they still get tech 9’s in section 8 / Get low then let the gat spray, Detroit’s best like Milk and Fat Ray.” Not everything is serious though - Fat Ray shares his sense of humor when talking about other rappers with “They even mix gangsta with gospel / that’s like selling cocaine at a Costco.”

Buy The Album: Fatbeats | iTunes | UGHH

Fat Ray & Black Milk - “Take Control” featuring AB

Wednesday, April 9th, 2008

Fat Ray and Black Milk

On “Take Control,” Fat Ray & Black Milk do what they do best: create catchy, well-written hip-hop that is cerebral and yet still rattles your trunk. Fat and Black take one turn each to lay down verses that illustrate the essence of their being; they’re committed to taking control of every facet of their music, from the business to the creative. First Black Milk spits, “From the rhymes to the styles and cadence to the noun and phrases / the way I amaze is major” and then Fat Ray follows up with, “Might as well face the facts we spit the crack / even Jay-Z had to Fade To Black…Milk that is/ till we filthy rich, better make room like 50’s crib.” Guest artist AB provides a soothing contrast on the hook that contrasts nicely with the rhymes of Fat Ray and Black Milk. Black Milk’s intricately composed beat contains layers of synthesizers that periodically build in intensity and then retreat to a more subdued state, making for a musical accompaniment that appropriately complements the emcees’ elaborate rhyme schemes.